Micha Eden Erdész

Sylphen Trill, 2021, pigment on lycra, oil and lacquer on perspex, 00:00:05 1 single channel video on led information point, variable locations and dimensions

The Happy Games, 2021, pigment on lycra, rubber component feet, variable dimensions

Alarmings Separate, 2019, lamda print on kodak metallic film, variable dimensions

Avon Carma, after ‘The Vision of St Eustace’ (Pisanello, 1395-1455), 2018 -2016, oil and lacquer on unprocessed duratran film, aluminium, polyester resin, 00:00:06 video (loop) 1 channel digital projection, variable dimensions

Indented on my neck is a record of your infarctions, after Jack Goldstein ‘The Jump’ (1978), 2013-2015, pigment on silk, pigment on cotton velvet, chrome fixtures, oil and pigment on beeswax and rosin plate, victorian bench frames, steel cable, variable dimensions

Ions Tell / Augustine, 2015, pigment on silk, chrome fixtures, mains-powered air deionising units, mains cable, 04:45 video (loop) 1 channel projection, variable dimensions

Psychic Entry, 2015, pigment on silk, chrome fixtures, aluminium nesting trays, variable dimensions

Sorceress won't live, 2014, mirror, oil, pigment in colophony, mains-cord, silicon sealant, laser printer, pigment on cartridge paper, variable dimensions

Multidimensionalburbia, 2013, mild steel and bronze sculpture, pigment on silk and china marker on unprocessed duratran film. Ceiling tiles, cardboard box, ceiling rails and oil on decorators sheet painting by Thomas Aitchison, variable dimensions

So Near Far, 2011, after Zacharias Kunuk (dir.), ‘The Fast Runner’ (2001) commissioned by Newlon Housing Trust for Ashburton Triangle, Arsenal Football Ground, Holloway, London, duraclear film, high intensity prismatic film, safety glass, zinc fixings, variable dimensions

Tungsten showroom, 2010, 00:02:48 video (loop) 1 channel digital projection, oil and lacquer on 3M High Intensity Prismatic film, variable dimensions

Micha Eden Erdész (° 1975, CANADA) is an Intermedia artist and graduate of Chelsea College of Arts currently living and working in the Dedham Vale, AONB, England.

The Darkride; vertical rides; the ravine.

A singular cymbal remains in the same spot on the floor behind the bottom of the stairs; the massive weight of an underfloor safe door remains always open and always empty.

This is a fragment of suburban visions of Toronto of my childhood from the carpeted basement of a Downsview split-level house with a blue door, a redundant home bar partially stocked by random liquors, and beverages.

Adorning the edge of a nether-land of actual and imagined places, infected by altered consciousness[es], mutability and disappearance, I am guided by a desire to traverse interior and exterior worlds as much as diverse media.

Engaging with Intermedia creation as an aesthetic kind of anchorite technology, my work points to a subaltern layer of knowledge; some which may or may not be culture.

Categories Adhesive Film Animation Autoethnography Ball Pen Cardboard Packing Material Cartridge Paper China Marker Chromogenic Print Collaboration Colophony Commission CRT Monitor Curatorial Digital Projection Drawing Duraclear Film Duratrans Film (Unprocessed)E6 Film (Unprocessed)Emboss Fibre Paper Found Object Frottage Fujiflex Gaffer Tape Grab Adhesive High Intensity Prismatic Film Installation Lacquer LDPE Led Panel Lycra Metal Mirror glass Moving Image Nesting Tray Oil Painting Paratext Pencil Performance Photogram Polyester Foam Polyester Resin Public RA4 Paper Relief Print Rubber Sculpture Silk Textile Texts Still Video Tracing Paper

Moving Image Twin Thoughts, 2022, 00:00:31 (loop) 1 channel digital projection, variable dimensions Honesty, 2022, 00:00:15 (loop) 1 channel digital projection, variable dimensions Boyer Boyer (triptych), 2020, 00:00:16 (loop) / 00:01:17 (loop) / 00:01:00 (loop) 3 channel digital projection, variable dimensions The Light Place where you rest your head, 2020, 00:00:54 video (loop) 1 channel digital projection, variable dimensions Other Shane, 2019, 00:01:24 video on Sony PVM-2950QM CRT monitor, variable dimensions Treatment, 2014, 00:16:37 video 1 channel digital projection, variable dimensions Twin Machine, 2011, 00:09:38 video 1 channel digital projection, fujiflex film, variable dimensions The Otter People, 2009, 00:03:06 video on Sony PVM-2950QM CRT monitor, variable dimensions

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