PUBLIC Sylphen Trill, 2021, lycra, oil and lacquer on perspex, fujiflex, 00:00:05 (loop) 1 channel video on led information point, variable locations and dimensionsSo Near Far, 2011, after Zacharias Kunuk (dir.), ‘The Fast Runner’ (2001) commissioned by Newlon Housing Trust for Ashburton Triangle, Arsenal Football Ground, Holloway, London, duraclear film, high intensity prismatic film, safety glass, zinc fixings, variable dimensions

PAINTING Listless, 2021, oil on unprocessed duratrans film, gaffer tape, variable dimensionLooking out the porthole listening to the chirrups, 2019, oil on fujiflex film, variable dimensionsAvon Carma, after ‘The Vision of St Eustace’ (Pisanello, 1395-1455), 2018 -2016, oil and lacquer on unprocessed duratran film, aluminium, polyester resin, 00:00:06 video (loop) 1 channel digital projection, variable dimensionsSupernatural Promise, 2013, oil on embossed unprocessed duratran film in gilt frames, variable dimensionGris Hat, 2013, china marker on unprocessed duratran film, variable dimensionsEscape from Arana, 2012, oil on high intensity prismatic film, variable dimensionTungsten showroom, 2010, 00:02:48 video (loop) 1 channel digital projection, oil and lacquer on 3M High Intensity Prismatic film, variable dimensionsSafestore, 2006, oil on hand-printed crystal archive gloss RA4 paper, variable dimensions

PAPER Untitled, 2021, ball pen on 90gsm tracing paper, variable locations and dimensionsDon't Look Now, 2017, pigment on cartridge paper, variable dimensionsThey told you not to tell me, 2013, relief print on hot-pressed watercolour paper, technical pencil on 90gsm tracing paper, variable dimensionsCrying Games, 2006-2013, ball pen on 90 gsm tracing paper, surgical tape, acupuncture needles, acupuncture roller, variable dimensionsA severed property II, 2002, plotter prints on cartridge paper, variable dimensionsA severed property, 2002, fibre paper, variable dimension
INTERMEDIA Red carabouche, 2021, oil and gaffer tape on unexposed kodak duratran film, variable dimensionsThe Happy Games, 2021, pigment on lycra, rubber component feet, variable dimensionsI still don't know when the Sacrifice is over, 2020-2021, fujiflex film, air drying clay, grab adhesive, pigment on Lycra, 00:00:00 video 2 channel digital projection, variable dimensionsIn the Dust Cloud for a Moving core duty (diptych), 2021, pigment on lycra, variable dimensionsAlarmings Separate, 2019, lamda print on kodak metallic film, variable dimensionsThe Hours, 2018, oil, pigment on silk, embroidery frame, canvas stretchers, cardboard packing material, variable dimensionsMasthead, 2018, cartridge paper, found object, installation, linen tape, paper, tacks, variable dimensionsOut there it folds like within, 2015, beeswax and rosin plates, pigment on silk, animation, 00:03 video (loop) 1 channel projection, variable dimensionsSupernatural Promise II, 2016,  pigment on silk, variable dimensionsPsychic Entry, 2015, pigment on silk, chrome fixtures, aluminium nesting trays, variable dimensionsIndented on my neck is a record of your infarctions,, after Jack Goldstein ‘The Jump’ (1978), 2013-2015, pigment on silk, pigment on cotton velvet, chrome fixtures, oil and pigment on beeswax and rosin plate, victorian bench frames, steel cable, variable dimensionsIons Tell / Augustine, 2015, pigment on silk, chrome fixtures, mains-powered air deionising units, mains cable, 04:45 video (loop) 1 channel projection, variable dimensionsMoth, 2015, charcoal on cartridge paper by Rebecca Snow on ventilation duct, 00:06:23 1 channel digital projection, variable dimensionsSorceress won't live, 2014, mirror, oil, pigment in colophony, mains-cord, silicon sealant, laser printer, pigment on cartridge paper, variable dimensionsGravity Ride, 2014, china marker on unexposed duratrans film, variable dimensionsFairground Violence, 2014, pigment on silk, pigment on lycra, 00:01:27 video (loop) 1 channel digital projection, variable dimensionsMultidimensionalburbia, 2013, mild steel and bronze sculpture, pigment on silk and china marker on unprocessed duratran film. Ceiling tiles, cardboard box, ceiling rails and oil on decorators sheet painting by Thomas Aitchison, variable dimensionsWhat's it like to be a bat?, 2012, oil, lacquer, china marker, spray paint, gaffer tape on unprocessed duratrans film, mild steel, pigment on silk, variable dimensionsSafestore II, 2006-2009, oil on hand-printed crystal archive gloss ra4 paper, variable dimensionsBuda, 2008, endura metallic paper, variable dimensionsLiminal Phase, 2006, 00:00:32 video (loop) on Sony PVM-2950QM CRT monitor, oil on unprocessed e6 film, variable dimensionsTwo thousand and twelve, 2005, photogram on surveillance c-type paper, variable dimensionsArc of the Decorator, 2004, fujiflex film, ldpe, variable dimensionsSome kind of foundation, 2004, fujiflex film, variable dimensions
IMAGE Web conflict, 2023, hand-printed chromogenic print from digital fuji instax original, variable dimensionsWindow Bridge (series), 2023, chromogenic print from analogue interneg of digital file, variable dimensionsHeatwave (triptych), 2022, 00:00:00 / 00:00:00 / 00:00:00, still video on led panel, variable dimensionsThe Oppressive Home (triptych), 2022, 00:00:00 still video on led panel, variable dimensionsGet-in, 2022, duraclear film on lightbox, variable dimensionsFor-in, 2022, duraclear film on lightbox, variable dimensionsDeadfall (diptych), 2022, duraclear on lightbox, variable dimensionsInterlude (diptych), 2022, duraclear on lightbox, variable dimensionsTwin Thoughts, 2022, 00:00:31 (loop) 1 channel digital projection, variable dimensionsHonesty, 2022, 00:00:15 (loop) 1 channel digital projection, variable dimension Temperate Edge, 2021, 00:00:00 / 00:00:00 video on led panels, variable dimensionCrown of langour, 2021, fujiflex film, 00:00:15 still video (loop), 1 channel digital projection, variable dimensionsTop Rig, 2021, duraclear on lightbox, variable dimensionsThere are Icons Between us, 2020, 00:00:00 video on led panel, variable dimensionsBoyer Boyer (triptych), 2020, 00:00:16 (loop) / 00:01:17 (loop) / 00:01:00 (loop) 3 channel digital projection, variable dimensionsOther Shane, 2019, 00:01:24 video on Sony PVM-2950QM CRT monitor, variable dimensionsThe Light Place where you rest your head, 2020, 00:00:54 video (loop) 1 channel digital projection, variable dimensionsEntry to the Ride, 2019 - diptych, fujfilex film, variable dimensionsForeshadowing is like hat-trick nonsense, 2019, 00:00:00 / 00:00:00 / 00:00:00 video 3 channel digital still projection, variable dimensionsSoft Hello, 2018, fujiflex film, variable dimensionsThrough azimuth bars (dyptich), 2018, 00:00:00 / 00:00:00 video on led panels, variable dimensionsI don't know when the Sacrifice is over, 2019, fujiflex film, variable dimensionsThe Unmarriage, 2014, fujiflex film, variable dimensionsTreatment, 2014, 00:16:37 video 1 channel digital projection, variable dimensionsTwin Machine, 2011, 00:09:38 video 1 channel digital projection, fujiflex film, variable dimensionsThe Otter People, 2009, 00:03:06 video on Sony PVM-2950QM CRT monitor, variable dimensionsFly with me, 2006, fujiflex film, variable dimensions

CURATORIAL
New Magical Realism Exhibition, 2019The Liminal Phase Exhibition, 2006

TAGS Adhesive FilmAnimationAutoethnographyBall PenCardboard Packing MaterialCartridge PaperChina MarkerChromogenic PrintCollaborationColophonyCommissionCRT MonitorCuratorialDigital ProjectionDrawingDuraclear FilmDuratrans Film (Unprocessed)E6 Film (Unprocessed)EmbossFibre PaperFrottageFujiflexGaffer TapeGerman Etching PaperGrab AdhesiveHigh Intensity Prismatic FilmInstallationLacquerLDPELed PanelLinen TapeLycraMetalMirror glassMoving ImageNesting TrayOilPaintingParatextPencilPerformancePhotogramPolyester FoamPolyester ResinPublicRA4 PaperRelief PrintRubberSculptureSilkTextile

REVIEWS
High Chelmer's Central Square becomes home to new artist-in-residenceOn the work of Micha Eden ErdészDialogues with the SeenThey’ll never control water on the HeathWorld of liminal moments deserve a second look

CV
Selected Outputs